#Faith evans you used to love me guitar how to#
#Faith evans you used to love me guitar tv#

The Beatles werenвЂ™t really hanging around or anything. There was one guy, Derek Taylor, who seemed to take an interest, and Mal Evans, who had gotten the band signed, he was involved. вЂњWhen I first joined the band, it didnвЂ™t seem as if anybody was paying attention to them. Was there one Beatle who paid more attention to Badfinger вЂ“ Paul McCartney or George Harrison? They had seen a few guys before me, but I was the only one who was writing some songs.вЂњ I sang for them a little bit, and they offered me the job. вЂњThey were really nice, and they wanted to play some beat songs. They had a house and we settled down to play together. вЂњBut my friends in Liverpool insisted that I go and check it out.

IвЂ™ve got nothing against love songs, but I want them to come from more of a Tamla/Motown kind of thing вЂ“ Martha and the Vandellas.

#Faith evans you used to love me guitar tv#

IвЂ™d seen them on TV doing a song called Maybe Tomorrow, and it wasnвЂ™t my cup of tea. вЂњTo be honest, I almost didnвЂ™t go to the audition. I wanted to play guitar music with a harder bite to it.вЂњ What I knew of the Iveys was that they were a bit too pop for me at the time. I wanted to play Chuck Berry music I wanted to play beat music. IвЂ™d heard of them, but they didnвЂ™t mean that much. Musicians didnвЂ™t really pay attention to them, I donвЂ™t think. вЂњI didnвЂ™t really know any kind of buzz on them. Playing guitar was just fantastic.вЂњДid you know the band when they were the Iveys? What was the buzz on them? I never thought I was great or anything вЂ“ there were so many brilliant guitarists in England in the '60s. I listened to Chuck Berry and Buddy Holly.

#Faith evans you used to love me guitar how to#

I got really good at rhythm guitar quite quickly, and then I started learning how to play lead. From that moment on, I wanted to be a guitar player. For me, getting into the guitar started when I heard Elvis PresleyвЂ™s Blue Suede Shoes. What kind of guitarist were you back in the '60s before you finally hooked up with Badfinger?

I wanted to play guitar music with a harder bite to it Who knows what drives people to do such a thing? But I canвЂ™t think about вЂwhat might have been.вЂ™ You go crazy if you live your life like that.вЂќ вЂњWe had two people in the band take their own lives вЂ“ thatвЂ™s a tragedy on a human level. Sure, I wish things didnвЂ™t turn out as they did. I meet people all the time who know our music. I try to focus on the good things that we did and all the great songs we recorded. вЂњI canвЂ™t get away from it, but I donвЂ™t really dwell on it. вЂњPeople say things like вЂthe saddest story in rock,вЂ™ and I guess they always will,вЂќ says Molland, who at 72 continues to tour with a band he calls Joey MollandвЂ™s Badfinger. Eight years later, in an eerily similar and no less tragic manner, Evans also hanged himself following a dispute about unpaid royalties. American businessman Stan Polley, who had taken over their affairs from original manager, Bill Collins, defrauded the band out of millions, leaving them all but broke.Дesperate and in the throes of depression, Ham hanged himself in his garage in 1975. Yet despite their success, the group soon discovered they had little to show for it. Lennon tapped Molland and Evans to play two cuts on his Imagine album, and Harrison produced half of the bandвЂ™s 1971 disc, Straight Up (that same year he also enlisted the group to take part in his historic Concert for Bangladesh at New York CityвЂ™s Madison Square Garden).ДЇor the first half of the '70s, Badfinger were flying high, racking up hit singles and albums while touring the world (Ham and Evans also saw their composition Without You, a Badfinger track from the bandвЂ™s second album, No Dice, become a global No.1 when Harry Nilsson and producer Richard Perry gloriously re-imagined it on the singerвЂ™s 1971 album, Nilsson Schmilsson). Then people started to think, вЂAhh, they can be a big success for Apple.вЂ™вЂќДЄfter the success of Come and Get It, various members of the BeatlesвЂ™ organization вЂ“ including John Lennon and George Harrison вЂ“ became more hands-on with Badfinger. It wasnвЂ™t until Come and Get It came out that the perception changed for Badfinger. вЂњPeople think that because the band was signed to Apple that they were just given a straight ride to success, but that wasnвЂ™t the case. вЂњThe Iveys had put out some records before Come and Get It that didnвЂ™t really take off, Molland says.